We observed that over many years of use, small “blooms” of metal with distinctive form accrete on the tips of these hooks. An electrical current is passed through the hook and part into the solution, which causes an electromagnetic field to form around the metal part, in turn causing molecules of the metal inside the solution to coat the suspended metal part. Conventionally electroplated metal parts are suspended within an electroplating solution containing molecules of a different metal using hooks. The experiments that led to 71 began with an observation during a visit to an electroplating facility. Can you tell us about your most memorable experiment and the project that resulted from it? You’ve experimented with so many materials across the years. See also: Mood Board: David Rockwell on Designing the Oscars 2021 Set and Other Spaces During the Pandemic After that our process is conventional we essentially try to rope our discovery into the real world with the conventional tools at our disposal.” During this initial phase, we are like prospectors sifting for new forms. This process usually leads to what I call a ‘discovery’, a form that we find compelling, mysterious, and worthwhile. “We try to invent new ways of working with these material properties such that they yield new, unpredictable forms. “Generally, we begin (the design process) with a certain physical, mechanical or chemical property of whatever material we are working with,” Arbel explains. The rooms will be enclosed by traditionally constructed walls with curved forms projecting from them into the surrounding landscape.Unlike other designers who might prefer starting their projects with an initial vision or a sketch and a prototype, Vancouver-based multidisciplinary artist and designer Omer Arbel prefers to dive right in and start directly from what he deems the core of the craft: experimenting with materials.
#Omer arbel house tv
Placed throughout the elongated house, the larger trees will shelter the home’s biggest rooms including its dining and seating area and the gym, while the smaller trees will be in smaller rooms like the tv room, bathroom and a bedroom. “We worked with our structural engineers on a concrete formula which has the concrete curing throughout the duration of one very slow, durational pour, such that the curing rate follows along behind the pour rate, and the piece gains structural integrity at the stem in progress and is thus able to support subsequent concrete entering the system.” “Because the formwork is made of fabric, we must cast each column in one continuous pour,” explained Arbel. To create the structures, Omer Arbel Office’s developed a method of pouring concrete that would allow the forms to strengthen as they were created so that they could support themselves. The house’s tree-like structures were created using an experimental method of pouring concrete that combined fabric formwork and plywood ribs. It is this window of time I wanted to capture in the video.” “But before then, there is a short window of time in which the pieces are completely abstract. “Very soon this will be a house, with sofas and breakfast and laundry and kids running around, and that will be amazing, in its way, superimposed against these monumental shapes,” he continued. “It is at this stage that the work is most suggestive, most open-ended, most elemental, most ambiguous.” “There is a certain lack of points of reference to a construction site that I love – before elements such as window frames and handrails come in,” said Arbel.
“Our goal then was to weave a modernist language of rectilinear volumes around the pieces, creating a domestic pattern of inhabitation on the one hand, and the cinematography of passage over, under, and through the pieces on the other hand.” “From a poetic perspective, we decided to consider the concrete trees – with real magnolia trees planted within – as if they were archaeological remains found on site,” Arbel told. When the home is complete, a magnolia tree will be planted in each of the concrete forms, with leaves and branches spreading over the roof exterior.
#Omer arbel house series
Omer Arbel Office designed the unique home around a series of 10 tree-like concrete forms that reach as high as 10 metres, rising up to become the home’s ceilings. The video shows the partially complete home that is being used as a testbed to continue Arbel’s experiments into the properties of concrete on the scale of a building. Omer Arbel Office films concrete tree-like forms that will become House 75.9ĭesigner Omer Arbel‘s Vancouver studio has made a film documenting the concrete forms of House 75.9, which is being built on a hay farm near Surrey in British Columbia, Canada.
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